Patricia Hope Windrow
Painter
Patricia
Windrow was born in London, England and educated in Paris, France. She
is listed in Who's Who in American Art and The Dictionary of
Contemporary Achievement.
Her work has been collected by the Minnesota Museum of Art, West Publishing's
Art and the Law, The Parrish Museum in Southampton, N.Y. and the Catherine
Lorillard Wolff Arts Club of New York. Numerous private collectors including
Robert Redford, Vladimir Horowitz, John Cage, R. Philip Hanes have acquired
her paintings. Her work has been represented by galleries in New York,
Washington, D.C. and Palm Beach.
A longtime resident of Long Island before establishing her gallery in
Virginia, Patricia Windrow developed and hosted a weekly educational television
series called "The Cable Easel" that ran for 12 years. This
pioneering series of television art instruction programs was recognized
in 1988 with a coveted Cable Ace Award.
A frequently commissioned painter, Patricia Windrow has executed numerous
portraits of eminent people including the Metropolitan Opera mezzo-soprano
Marilyn Horne and the late president of the Rockefeller Foundation, John
Knowles.
She has created some 60 large scale indoor and outdoor murals in private
homes and in public settings including banks, schools and restaurants.
Since 1991, Patricia Windrow has operated her own gallery in Front Royal,
Virginia. Two of her landscapes of the Shenandoah Valley are for sale
as prints at the Shenandoah National Park's Visitor's Center on the Skyline
Drive.
Patricia Windrow is a realist oil painter whose enormous range encompasses
portraits, landscapes, seascapes and floral paintings as well as surrealist
treatments of timeless subjects, such as "Unbirth of Venus."
Her paintings range in scale from miniatures (such as those in the collection
of the New Jersey Miniature Art Society, some of which measure one square
inch) to upwards of four feet by six feet. She paints from life and has
been praised for her keenly observed depictions as well as for her subtle
evocations of place and time. Her palette is varied but centered on what
may be called the colorings of nature.
Patricia Windrow's remarkable series of large studies of crystals won
special mention in the New York publication, Art Speak. Of her
gallery show, Crystallinity, its critic wrote,
Given the richness of her imagination and virtuoso skills, one might
expect Patricia Windrow to continue constructing ever more complex alternate
realities. In her "Crystallinity" series, however, Windrow
has returned to simpler compositions that now have all the epic elegance
and uncluttered monumentality of her mature style.
Describing "Crystal with Hopi Phantom," the critic said, "Meticulously
painted and strangely serene, the magical image has the classical beauty
of a New Age Vermeer."
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